My Work
Much of my experience in post-production has been in the fast-paced world of broadcast marketing, where tight deadlines and high expectations are the norm. I’ve worked on everything from full-length trailers to 60s, 30s, and 15s cutdowns, localized versions, and behind-the-scenes content—often as part of a collaborative audio team tasked with delivering high-quality mixes under extreme time pressure. That environment demanded a streamlined, team-based workflow: prepping sessions for clarity and efficiency, cleaning and editing dialogue, automating levels, EQing for separation and clarity, applying dynamics, and ensuring everything—from dialogue to music and effects—sits just right in stereo or 5.1. More recently, I’ve taken on full mix responsibilities for long-form content, including episodes of an unscripted series, and continue to bring the same attention to detail and adaptability to every format I work on. Each project concludes with a careful final pass, including revisions, versioning for different platforms, and delivery of multitrack stems.
Mixing
In addition to mixing, I’ve spent a significant part of my career in post-production coordinator roles, often stepping into leadership positions on fast-moving campaigns and complex workflows. This work involved direct client communication, delegating tasks, overseeing timelines, and guiding teams through high-volume, quick-turnaround projects. Quality control was always a top priority, especially when dealing with multiple versions and deliverables under pressure. I was also trusted with researching and implementing new tools and workflows to streamline production. One key initiative involved testing and rolling out project management software that reduced email clutter, improved cross-department coordination, and helped our team stay on track across dozens of overlapping deadlines. In a field where structure and adaptability are both essential, I’ve always aimed to bring clarity, focus, and support to every project I help lead.